The same hourglass profile, redrawn at standing scale: the solid wood column begins as a slim neck below the shade, thickens as it descends and opens into a fluted skirt that meets the floor on a six-lobed, star-shaped foot. Dark and light walnut grain runs the length of the column, reading as vertical bands over its softly faceted faces, and the polished surface keeps those lines moving as you pass. Because the pleats of the skirt align with the lobes of the base, a tall, slender body still finds a steady footing. The wide conical shade is wrapped in textured cream linen, its upper and lower rims finished with a narrow brown edging that ties the fabric to the wood. At this height the light no longer sits on a tabletop but at the eye level of someone seated, and the broader cone spreads it across a reading corner rather than one bright spot. Set beside a chair or at the end of a console, it draws a vertical line into the room and holds the evening at a measured brightness.